Letter by Paul McCartney, circa 1960
This letter was penned by Paul McCartney, and sent to a local journalist named as Mr Low. It was reproduced in The Beatles, Hunter Davies's authorised biography of the group, published in 1968. The letter is particularly interesting in that it mentions by name a number of very early Lennon-McCartney songs, a few of which are scarcely otherwise known.
In the text, written in the third person, McCartney claims that, "John and Paul have written over fifty tunes, ballads and fast numbers", a writing tally which should be qualified by his later admission in the book The Beatles Anthology that, "Most of what we called our first hundred was probably our first five - we would lie our faces off then to get anyone to notice us."
The letter has some parts missing (indicated by elipsis) and reads as follows:
In the text, written in the third person, McCartney claims that, "John and Paul have written over fifty tunes, ballads and fast numbers", a writing tally which should be qualified by his later admission in the book The Beatles Anthology that, "Most of what we called our first hundred was probably our first five - we would lie our faces off then to get anyone to notice us."
The letter has some parts missing (indicated by elipsis) and reads as follows:
Dear Mr Low,
I am sorry about the time I have taken to write to you, but I hope I have not left it too late. Here are some details about the group. It consists of four boys: Paul McCartney (guitar), John Lennon (guitar), Stuart Sutcliffe (bass) and George Harrison (another guitar) and is called...
This line-up may at first seem dull but it must be appreciated that as the boys have above average instrumental ability they achieve surprisingly varied effects. Their basis beat is off-beat, but this has recently tended to be accompanied by a faint on-beat; thus the overall sound is rather reminiscent of the four in the bar of traditional jazz. This could possibly be put down to the influence of Mr McCartney [Senior], who led one of the top local jazz bands (Jim Mac’s Jazz Band) in the 1920s.
Modern music, however, is the group’s delight, and, as if to prove the point, John and Paul have written over fifty tunes, ballads and faster numbers, during the last three years. Some of these tunes are purely instrumental (such as “Looking Glass”, “Catswalk” and “Winston’s Walk”) and others were composed with the modern audience in mind (tunes like “Thinking of Linking”, “The One After 909”, “Years Roll Along” and “Keep Looking That Way”).
The group also derive a great deal of pleasure from rearranging old favourites (“Ain’t She Sweet”, “You Were Meant For Me”, “Home”, “Moonglow”, “You are My Sunshine” and others).
Now for a few details about the boys themselves. John, who leads the group, attends the College of Art, and, as well as being an accomplished guitarist and banjo player, he is an experienced cartoonist. His many interests include painting, the theatre, poetry, and, of course, singing. He is 19 years old and is a founder member of the group.
Paul is 18 years old and is reading English Literature at Liverpool University. He, like the other boys, plays more than one instrument – his specialities being the piano and drums, plus, of course...
I am sorry about the time I have taken to write to you, but I hope I have not left it too late. Here are some details about the group. It consists of four boys: Paul McCartney (guitar), John Lennon (guitar), Stuart Sutcliffe (bass) and George Harrison (another guitar) and is called...
This line-up may at first seem dull but it must be appreciated that as the boys have above average instrumental ability they achieve surprisingly varied effects. Their basis beat is off-beat, but this has recently tended to be accompanied by a faint on-beat; thus the overall sound is rather reminiscent of the four in the bar of traditional jazz. This could possibly be put down to the influence of Mr McCartney [Senior], who led one of the top local jazz bands (Jim Mac’s Jazz Band) in the 1920s.
Modern music, however, is the group’s delight, and, as if to prove the point, John and Paul have written over fifty tunes, ballads and faster numbers, during the last three years. Some of these tunes are purely instrumental (such as “Looking Glass”, “Catswalk” and “Winston’s Walk”) and others were composed with the modern audience in mind (tunes like “Thinking of Linking”, “The One After 909”, “Years Roll Along” and “Keep Looking That Way”).
The group also derive a great deal of pleasure from rearranging old favourites (“Ain’t She Sweet”, “You Were Meant For Me”, “Home”, “Moonglow”, “You are My Sunshine” and others).
Now for a few details about the boys themselves. John, who leads the group, attends the College of Art, and, as well as being an accomplished guitarist and banjo player, he is an experienced cartoonist. His many interests include painting, the theatre, poetry, and, of course, singing. He is 19 years old and is a founder member of the group.
Paul is 18 years old and is reading English Literature at Liverpool University. He, like the other boys, plays more than one instrument – his specialities being the piano and drums, plus, of course...
